两个青年女子之间的表态性心理导致了其中一个被害，而凶手就是另外一位姑娘。此后，她便被囚禁一间修道院中。探长前来侦询，律师也前来调查案情。但探长并非在影片首尾出现的那个探长，律师又与被害者是同一个。所以，这桩凶杀案是否真的发生过，是否真的是这位杀手所为，都是不肯定的。需要由观众自行思考。本片是导演罗布一格里叶继《穿越欧洲的快车》后，自编自导的影片。也是他的第一部彩色影片。影片中的框架十分简单。　　影片把当代的心理变态同修道院内中世纪的心理变态作了对比性描绘，从而强调问题的历史深度。但对所探讨的问题，作者并非表明自己的态度，只是客观的给予表现，在形式上，此片使用了纯化的手段，画面上的时空变得中性而抽象。对白很少，没有隐约，全凭画面，色彩和剪辑的视觉效果表达涵义。此片与《去年在马里昂巴德》有主题上的相似之处，但更少环境影响，更多接触及人的本性，因而更为抽象。在意向方面，此片与《穿越欧洲的快车》有些相像的地方，可以互为参考。把这部影片联系起来看，可以对阿兰·罗布一格里叶的思想和风格获得比较完成的了解。

4.5二刷,没看过小说，从表演方式入手终于弄明白了影片主旨。除了babyfat女主之外所有配角对情欲的坚决否认，女主一开始对谋杀指控的模棱两可，主配角N次直视观众后的直抒胸臆（所谓打破第四面墙？），整个过程可视为情欲客体对道貌岸然主体肉欲的一再指认，同时也是主体即观众的借刀杀人——主体借女主这个‘捏造’的人格之手先制造谋杀，后栽赃陷害，值得注意的是，这些人控诉女主的措辞明显带有作者的反讽，如If this man exists,he didn't use a key. 如The inspector found the lock forced. the lock forced可意译为强行插入。。如The blue shoe's a talismanagainst bad luck.cops, crack-ups, VDand trouble in general."如Likeness, repetitions,substitutions, pretense. Enough! 层层转嫁的污名化You're a beached ship,an open shell, a sticky bitch,a crushed frog.51分44时耐人寻味的自白I am the sole cause.Death passes. Blackbird. Black beauty, weary seagull. 55分:21-You know how nuns are.They have odd private relations.Really? What sort? Sadomasochist. 01:03分-牧师：I'm the shepherd of all lost lamb. I'm interested in every fresh arrival to this flock. 01:07分 I heard of dungeons,chains, whips... even worse律师：Really? For whom? 女主答：For the spectators. 01:09分-牧师：Beware of these people! Beware of this place! Accusation is a prologue to crime. Confinement entices vice! I'm not your father! This place is hell! I saw your game with that Devil-branded creature. Evil is there... ...and there! 女主：One Sister often touches me there. 牧师：What? Poor child,tell me the details. As many as possible,for your salvation. 女主：I've seen acts I don't understand. 牧师：Acts between whom? 女主答：Nuns and prisoners,mostly the pretty ones. 牧师Describe it all or the God of Anger will burn you alive over a slow fire. 女主：Father, I dare not. 牧师：Speak, you whore! 01:23分-女主Last night I dreamt the pastor was marrying me,but when I knelt to pray,he caressed me. His hand groped through the lace and up my thighs to my genitals. I knew he was sexually obsessed.He'll commit suicide.律师：All who approach youare perverts, insane. Libertarian! Offense! Structure! Disorder! Relapse! Evidence.Reenactment. Pleasure. Recidivism. Permutation. Relapse. Disorder! Toad. Rape. Parricide. Division. Inversion. Bitch. Games. Sperm. Sloth. Whore. One pair of shoes... two pairs... three pairs... Theme of broken glass. 昭然若揭的角色扮演01:36分We wait a little. Wait for what? Well, for the prosecutors,the police superintendent, all the people who have to be herefor the reenactment. Who will play the murderer? I don't know,a cop probably. Maybe that guywho's on guard at the door. And to play Nora? They surely have someone. When is it supposed to start? Theoretically, right now,but they are always late. We're always waitingfor someone, or something. 他们的身份有牧师，修女，警察，律师等等，权力的一体N面为淫欲穿上的蓝色新鞋，成功污名化女主，所以女主才会对律师说：（牧师）He'll commit suicide（因为已被我勾引）suicide还是homecide都由主体说了算，他们当然会说是自杀啦！这样的人格分裂仅仅指向权力阶层，单看情节和人物关系，这么说没纰漏，但你无法忽视人物这么多次挑衅，分明不想让各位看客安宁嘛。。说到这里，本片有一点始终很暧昧，这到底算是对人性虚伪的控诉还是对纵欲的伸张？鉴于作者法国小资产阶级的身份，答案，呃。。。无论如何，感谢格里耶奉上这部‘’过去将来时‘’作品。有时间写个带英文字幕的图解日记